MPSU Shawnee 091204
Another cold day on the streets of Shawnee with the mobile platen scanning unit (MPSU). From time to time the MPSU requires more hands thank I have and on this trip I had an assistant with me, Kent Cubbage.
We explored the main street of Shawnee finding our way in to the rarely opened antiques store. We walked in and the door jingled a bell over our heads. Two old men craned their necks around to see who it was. The coal fed pot belly stove in the middle of the room gave a welcome warmth. The propriter and his friend were kind but dismissive to our strange motivations as we searched the interior of the building.
Back out into the cold. We encountered the pile of coal and lumber that the old men were using to keep warm. The few remaining traces of ice crystals from the season's first snow remained in the shadows of once noble buildings.
MPSU in Shawnee
This afternoon was a cold one in Shawnee and it was as empty as a ghost town. In stark contrast, beneath every fallen leaf and embedded in every patch of dirt, artifacts of this community's previous glory were abundant.
The following high resolution surface scans are taken with the MPSU (mobile platen scanning unit). These images, upon inspection, reveal a glimpse of the decline from a once thriving community center to the meager town that Shawnee is today.
In these scans, time is compressed; past becomes present, present becomes future, the artificial and natural co-mingle and the artifacts become "ghosts of repetition"*.
* - "ghosts of repetition" is a phrase coined by W. G. Sebald. I came across this phrase in the article An Archival Impulse by Hal Foster (October 110, Fall 2004 pp 3 - 22).
Mobile Platen Scanning Unit
The Mobile Platen Scanning Unit, or MPSU for short, consists of a Canoscan LiDE 100 flatbed scanner and a Lenovo X200 Tablet PC attached back to back.
The MPSU affords the unique ability to create high resolution images on site.
The following are images from the initial testing phase of the unit:
Multi chair Hi Res BW invert

Multi chair Hi Res BW invert
Originally uploaded by Jeff Lovett
This is an early study for a body of work consisting of many drawings of an artifact from many angles.
Paul Nutter on New Straitsville Ohio
Local resident, writer and historian Paul Nutter discusses the history of New Straitsville.
Paul Nutter on New Straitsville Ohio from Jeff Lovett on Vimeo.
Entangled Citizens Ohio Site Visits
The Flower
This is an image of a flower to which I do not know the name. I captured the image at my best friend's wedding while trying very hard not to take the sorts of pictures that one usually takes at a wedding.
The exciting thing for me about this photograph is not its beautiful and elegant composition; it is that I, upon reviewing the images, did not notice it. I simply dismissed it. This was in August of 2008. In January of this year while “rustling” through my images from last fall I was struck, only slightly, by this flower. As a result it found a new home on the desktop of my computer screen.
This has occurred with numerous images over the last several years and what interests me about this process is not my memory of the flower or even my judgment of the image five months ago. It is how strong the affection I feel for the image is after only a week living in the background of my computer monitor.
The computer monitor is a place of amazing diversity. Things of the utmost importance occur in a virtual proximity with the banal delights of everyday life. The exciting thing for me is the illusion of space and layers that are so completely believable. For a flat, back-lit, surface of tiny red green and blue squares to possess such captivating qualities is truly amazing. To place an image on the background of a monitor is to place an image in the periphery of your mind. Even as I write this, I am looking at the fringes of purple and unfocused water droplets on a field of green. As a result, while I read news, correspond, and create, that image is resting peacefully in my mind growing steadily into something I can more completely understand and appreciate.
I believe that it is the consistent contact, in digital form, with an image that both glorifies and debases the image simultaneously which leads to a more whole experience of the image and it’s content.
The monitor glorifies imagery through a series of situations that place the viewer in a state that leaves one open to immersion. One sits at a desk with the express purpose of interacting with one’s computer and the digital world at large, posed with arms at the ready and monitor placed directly in the center of the field of view. Even speakers are arranged to evenly and effectively disperse auditory information to the user. The primary means of participation in the digital realm is visual. This is easily observed when one switches off one’s monitor. The environment of the desk changes drastically. Suddenly the monitor is nothing more than an obstruction, a black board that is flat and inert. The keyboard and mouse become useless props, paper-weights, without the visual feedback of the monitor. The actual horizontal surface of the desk begins to feel crowded and cluttered. When the monitor is powered on; the desk, keyboard, mouse, and so on, are transformed into the cockpit through which you control your experience in the digital realm.
It is the ritualistic way in which one place one’s self in this environment, with the expectation to be transported through information in the intuitive visual vehicle that is one’s computer, that allows information to be pressed deep into one’s mind. We expect to experience joy, freedom and insight through the monitor. We are liberated from the static by new versions and the constant input of thousands of other pilots through their own cockpits.
Unfortunately by compressing so many stimuli through this immersive portal simultaneously, one loses the deeper levels of experience caused by spending uninterrupted and focused time with a work thus debasing it. This is exemplified in the way that one experiences feed readers that amalgamate countless blogs and their posts into a simple browsable format. It is not only tempting but necessary to spend less than a couple of seconds deciding whether an article / post is worth your “extended” time. In the last 30 days, I have “read” 350 articles through my Google reader account. Of those I have starred 18, shared 40 and emailed 11. Without data to support my claims, I would imagine that of the articles I read, I spent over ten seconds on 50 of those and perhaps there are only 20 that I actually read.
The experience of reading blogged information occurs simultaneously with any number of other equally complex tasks, email writing and reading, chatting, twitter maintenance, music selection and the listening that follows, browsing and sorting photos, and so on.
The windows of an operating system stack on one another as a way to keep so many varied portals to information open and accessible at any time. The windows layer so deep that whole other programs have been written to allow the user to sort them out. At the same time, it feels as though ads are everywhere peeking in on your information and customizing themselves to fit your “needs”. It is this intensely multi-level experience of navigating through information for information that exposes one to a level of self customized articulated data in quantities that would be impossible in more traditional formats.
In the background of this multifaceted digital navigational environment, my flower rests peacefully with water droplets forever on the verge of breaking loose to a free fall. Its purple arms are reaching outward always suggesting new narratives. This image resides quietly growing behind the bramble of information slowly attracting my attention and eventually my love. Somehow now, not long after I didn’t notice it, it takes my breath away.
Tilt Shift Experiments
I've been pretty interested in fake Tilt-Shift photography for the purposes of simulating photos of miniatures. I narrow depth of field suggests the use of a macro lens. While this is a fairly kitchy form of photography, I think it relates to the work that I have been making recently and, in general, the things I am interested in about virtual worlds, synthetic realities and the metaverse on the whole.
The augmentation of these images takes a physical setting and changes it appearance in a way that suggests a different environment.
These photographs have such a high level of detail in places that I spend my time wanting to believe that they are miniatures but knowing that they are not. I oscillate between imagining a board on some sawhorses in a photo studio with lights set up and a photographer leaning over a tripod or perhaps in the basement of a small store with glass barriers around the scene so children don't touch the delicate models in what becomes this god like space anProxy-Connection: keep-alive
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the reality of the scenario that the photograph was taken in.
It is this magical moment when I am allowed, through the visual cues in the image, to imagine the scenario in which some crafts person created this scene in it's infinite detail that I am filled with an awe for the world that we live in.
The technique I used for these images was taken from the following web site: http://www.tiltshiftphotography.net/photoshop-tutorial.php
Notes:
Mr. Rogers Neighborhood
Searching
Nearly 10,000 satellites now orbit Earth, passing over our
heads unseen. A few hundred of those, however, are large
and close enough to be seen as flashes of reflected
sunlight.
These few brilliant specks of light can be seen during
daylight hours if one only knows when and where to look.
The possibility of catching a first-hand glimpse of a satellite
in action is the impetus for the compulsive actions that
created these photographs and installation.
The over 2000 original images in the exhibition are
displayed in 3 distinct areas, a processing station, a
projected high-speed slide-show and an analysis station.
The sound-scape in the installation is comprised of
recordings from the electronic data transmissions of
satellites.
Visitors to the installation were encouraged to sift through the
prints and take one away with them.
Special thanks to:
Scott Sullivan
Nathan Berger
Lowell Jacobs
The Aesthetic Technologies Lab at Ohio University
Union Arts
Surface and Edge
Surface and Edge is a collection of photos that explore depth and space through surface and edge.
