Jeff Lovett a public forum for personal documentation

9Dec/090

MPSU Shawnee 091204

Another cold day on the streets of Shawnee with the mobile platen scanning unit (MPSU). From time to time the MPSU requires more hands thank I have and on this trip I had an assistant with me, Kent Cubbage.

We explored the main street of Shawnee finding our way in to the rarely opened antiques store. We walked in and the door jingled a bell over our heads. Two old men craned their necks around to see who it was. The coal fed pot belly stove in the middle of the room gave a welcome warmth. The propriter and his friend were kind but dismissive to our strange motivations as we searched the interior of the building.

Back out into the cold. We encountered the pile of coal and lumber that the old men were using to keep warm. The few remaining traces of ice crystals from the season's first snow remained in the shadows of once noble buildings.

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4Dec/090

MPSU in Shawnee

This afternoon was a cold one in Shawnee and it was as empty as a ghost town. In stark contrast, beneath every fallen leaf and embedded in every patch of dirt, artifacts of this community's previous glory were abundant.

The following high resolution surface scans are taken with the MPSU (mobile platen scanning unit). These images, upon inspection, reveal a glimpse of the decline from a once thriving community center to the meager town that Shawnee is today.

In these scans, time is compressed; past becomes present, present becomes future, the artificial and natural co-mingle and the artifacts become "ghosts of repetition"*.

* - "ghosts of repetition" is a phrase coined by W. G. Sebald. I came across this phrase in the article An Archival Impulse by Hal Foster (October 110, Fall 2004 pp 3 - 22).

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23Nov/090

Mobile Platen Scanning Unit

The Mobile Platen Scanning Unit, or MPSU for short, consists of a Canoscan LiDE 100 flatbed scanner and a Lenovo X200 Tablet PC attached back to back.

The MPSU affords the unique ability to create high resolution images on site.

The following are images from the initial testing phase of the unit:

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9Oct/090

Multi chair Hi Res BW invert



Multi chair Hi Res BW invert

Originally uploaded by Jeff Lovett


This is an early study for a body of work consisting of many drawings of an artifact from many angles.

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4May/090

Paul Nutter on New Straitsville Ohio

Local resident, writer and historian Paul Nutter discusses the history of New Straitsville.

Paul Nutter on New Straitsville Ohio from Jeff Lovett on Vimeo.

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2May/090

Entangled Citizens Ohio Site Visits

From Dr. Geoffrey Buckley:
Is there a better way to learn about a place than experiencing it firsthand? Southeastern Ohio – or Appalachian Ohio as it is sometimes called – has a rich and colorful past. Today’s trip takes us into the heart of southeastern Ohio’s historic mining district. Among other things, we’ll see remnants of past mining operations, including drift mines and “company” towns. We’ll learn how two sites – the Majestic Mine and Essex Mine complexes – have been restored. We’ll tour a theatre in the process of restoration and hike to Robinson Cave, where miners first hatched the plan to form the United Mine Workers of America (UMWA). Time permitting, we’ll also view some abandoned surface mine operations. I hope you enjoy this all-too-brief tour of our area’s physical and cultural landscapes! As we head west on Route 33, we will pass the new headquarters of the Wayne National Forest. Notice the building’s design – modeled after a coal tipple. It reminds us of the critical role resource extraction (especially coal mining) has played in the region’s economy. We’ll also pass very close to the Eclipse company town, out the window to our left. Our first stop will be the Majestic Mine complex. Abandoned more than seventy years ago, this mine contributes significant amounts of acid mine drainage to Monday Creek just one half mile from its confluence with the Hocking River. Although the company town associated with this mine, Floodwood, is long since gone, the Majestic Mine complex remains a wonderful example of an early twentieth century drift mine operation. Here, Pam Stachler of the USDA Forest Service will tell us a bit about the history of this site and on-going efforts to restore it. Turning east on Route 78, we’ll pass through the region’s “Little Cities of Black Diamonds.” Buchtel, Shawnee, Glouster, New Straitsville, and Murray City (to name but a few) were important coal-mining towns during the nineteenth and early twentieth centuries. All were once linked to the railroad, a key outlet not only for coal but also the bricks that were manufactured in southeastern Ohio. In Murray City we’ll pick up Route 216 and head toward New Straitsville. Our next stop is the Essex Mine complex. The Essex Mine is another good example of a drift mine, which describes the way miners entered the coal seam. Notice the milky white water emanating from the mine. As Pam will explain, here it is aluminum, and not iron, that is influencing the color. The mine water at this site is being treated by a limestone “doser,” which you can inspect when we return to the bus. From here it is on to New Straitsville where we will meet Cheryl Blosser. Cheryl will give us a tour of Robinson Cave and tell us all about the area’s labor history. We’ll then board the bus and take a short trip up the road to the intersection of 155 and 93, where we will stop to inspect the false-fronted buildings and second-story porches that have made the town of Shawnee a national landmark. In addition to telling us about this company town’s past – and its unique architecture – we are very fortunate to have John Winnenburg on hand to give us a tour of the old Tecumseh Theatre. At this point, we will head back to New Straitsville where we will pick up Route 595. Although we do not have time to visit Glouster, Millfield, Corning, and Rendville, note that they’re not too far away. Located just a few miles south of Glouster, Millfield was the site of Ohio’s worst mine disaster. An explosion here on November 5, 1930 killed 82 men employed by the Sunday Creek Coal Company. Remains of the power plant and various out buildings can still be seen. (Note: The worst explosion on record in the U.S. killed at least 362 miners back in 1907 in Monongah, West Virginia.) Proceeding west on 595, our next stop today is Haydenville. Just after crossing over Route 33 but before entering town, notice the lock and ditch for the Hocking and Columbus Canal. The canal and, later, the railroad, were absolutely critical to the region’s economic development. All of the little mining towns we’ve driven through this morning were once linked to the railroad, a key outlet not only for coal but also the bricks that were manufactured in southeastern Ohio. Haydenville was a company town until 1964, making it the last of the company towns in Ohio. Many of the buildings in this town are listed on the National Register of Historic Places. In addition to the linear design, Haydenville conformed to the stereotypic company town image in other ways as well. This is especially true with respect to segregation according to ethnicity and economic class. Turning east on Route 33 we will, if time permits, turn right on Route 691. Out the right side of the bus, we’ll see more evidence of past mining, including another abandoned drift mine. Much of this coal was mined in the 1950s and 1960s. As we wind around on Route 691, I’ll point out areas where strip mining occurred about forty years ago. We’ll make a brief stop near the old landfill – a spot where we can scramble up a small embankment and gaze down at a “high wall” that has now filled with water. We’ll pick up Poston Station Road, pass the site of an old power plant, and then pop out on Route 682 in the Plains. Then it’s back to Athens and OU!

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22Jan/090

The Flower

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This is an image of a flower to which I do not know the name. I captured the image at my best friend's wedding while trying very hard not to take the sorts of pictures that one usually takes at a wedding.

The exciting thing for me about this photograph is not its beautiful and elegant composition; it is that I, upon reviewing the images, did not notice it. I simply dismissed it. This was in August of 2008. In January of this year while “rustling” through my images from last fall I was struck, only slightly, by this flower. As a result it found a new home on the desktop of my computer screen.

This has occurred with numerous images over the last several years and what interests me about this process is not my memory of the flower or even my judgment of the image five months ago. It is how strong the affection I feel for the image is after only a week living in the background of my computer monitor. 

The computer monitor is a place of amazing diversity. Things of the utmost importance occur in a virtual proximity with the banal delights of everyday life. The exciting thing for me is the illusion of space and layers that are so completely believable. For a flat, back-lit, surface of tiny red green and blue squares to possess such captivating qualities is truly amazing. To place an image on the background of a monitor is to place an image in the periphery of your mind. Even as I write this, I am looking at the fringes of purple and unfocused water droplets on a field of green. As a result, while I read news, correspond, and create, that image is resting peacefully in my mind growing steadily into something I can more completely understand and appreciate.

I believe that it is the consistent contact, in digital form, with an image that both glorifies and debases the image simultaneously which leads to a more whole experience of the image and it’s content.

The monitor glorifies imagery through a series of situations that place the viewer in a state that leaves one open to immersion. One sits at a desk with the express purpose of interacting with one’s computer and the digital world at large, posed with arms at the ready and monitor placed directly in the center of the field of view. Even speakers are arranged to evenly and effectively disperse auditory information to the user. The primary means of participation in the digital realm is visual. This is easily observed when one switches off one’s monitor. The environment of the desk changes drastically. Suddenly the monitor is nothing more than an obstruction, a black board that is flat and inert. The keyboard and mouse become useless props, paper-weights, without the visual feedback of the monitor. The actual horizontal surface of the desk begins to feel crowded and cluttered. When the monitor is powered on; the desk, keyboard, mouse, and so on, are transformed into the cockpit through which you control your experience in the digital realm.

It is the ritualistic way in which one place one’s self in this environment, with the expectation to be transported through information in the intuitive visual vehicle that is one’s computer, that allows information to be pressed deep into one’s mind. We expect to experience joy, freedom and insight through the monitor.  We are liberated from the static by new versions and the constant input of thousands of other pilots through their own cockpits.

Unfortunately by compressing so many stimuli through this immersive portal simultaneously, one loses the deeper levels of experience caused by spending uninterrupted and focused time with a work thus debasing it. This is exemplified in the way that one experiences feed readers that amalgamate countless blogs and their posts into a simple browsable format. It is not only tempting but necessary to spend less than a couple of seconds deciding whether an article / post is worth your “extended” time. In the last 30 days, I have “read” 350 articles through my Google reader account. Of those I have starred 18, shared 40 and emailed 11. Without data to support my claims, I would imagine that of the articles I read, I spent over ten seconds on 50 of those and perhaps there are only 20 that I actually read.

The experience of reading blogged information occurs simultaneously with any number of other equally complex tasks, email writing and reading, chatting, twitter maintenance, music selection and the listening that follows, browsing and sorting photos, and so on.

The windows of an operating system stack on one another as a way to keep so many varied portals to information open and accessible at any time. The windows layer so deep that whole other programs have been written to allow the user to sort them out. At the same time, it feels as though ads are everywhere peeking in on your information and customizing themselves to fit your “needs”. It is this intensely multi-level experience of navigating through information for information that exposes one to a level of self customized articulated data in quantities that would be impossible in more traditional formats.

In the background of this multifaceted digital navigational environment, my flower rests peacefully with water droplets forever on the verge of breaking loose to a free fall. Its purple arms are reaching outward always suggesting new narratives. This image resides quietly growing behind the bramble of information slowly attracting my attention and eventually my love. Somehow now, not long after I didn’t notice it, it takes my breath away.

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17Nov/083

Tilt Shift Experiments

I've been pretty interested in fake Tilt-Shift photography for the purposes of simulating photos of miniatures. I narrow depth of field suggests the use of a macro lens. While this is a fairly kitchy form of photography, I think it relates to the work that I have been making recently and, in general, the things I am interested in about virtual worlds, synthetic realities and the metaverse on the whole.

The augmentation of these images takes a physical setting and changes it appearance in a way that suggests a different environment.

These photographs have such a high level of detail in places that I spend my time wanting to believe that they are miniatures but knowing that they are not. I oscillate between imagining a board on some sawhorses in a photo studio with lights set up and a photographer leaning over a tripod or perhaps in the basement of a small store with glass barriers around the scene so children don't touch the delicate models in what becomes this god like space anProxy-Connection: keep-alive
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the reality of the scenario that the photograph was taken in.

It is this magical moment when I am allowed, through the visual cues in the image, to imagine the scenario in which some crafts person created this scene in it's infinite detail that I am filled with an awe for the world that we live in.

The technique I used for these images was taken from the following web site: http://www.tiltshiftphotography.net/photoshop-tutorial.php

Notes:

Mr. Rogers Neighborhood

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5Nov/080

Searching

Nearly 10,000 satellites now orbit Earth, passing over our

heads unseen. A few hundred of those, however, are large

and close enough to be seen as flashes of reflected

sunlight.

These few brilliant specks of light can be seen during

daylight hours if one only knows when and where to look.

The possibility of catching a first-hand glimpse of a satellite

in action is the impetus for the compulsive actions that

created these photographs and installation.

The over 2000 original images in the exhibition are

displayed in 3 distinct areas, a processing station, a

projected high-speed slide-show and an analysis station.

The sound-scape in the installation is comprised of

recordings from the electronic data transmissions of

satellites.

Visitors to the installation were encouraged to sift through the

prints and take one away with them.

Special thanks to:

Scott Sullivan

Nathan Berger

Lowell Jacobs

The Aesthetic Technologies Lab at Ohio University

Union Arts

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2Dec/072

Surface and Edge

Surface and Edge is a collection of photos that explore depth and space through surface and edge.

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