Jeff Lovett a public forum for personal documentation

4May/100

The Gavin Power Plant

These images were taken on a recent tour of the Gavin Power Plant in Cheshire Ohio with Matthew Friday's art and ecology class.

From Wikipedia, the free encyclopedia:

The coal-fired Gavin Power Plant inCheshire, Ohio

General James M. Gavin Power Plant is a 2.6-Gigawatt coal-fired power station in Cheshire, OhioUSA operated by American Electric Power. Named after James M. Gavin, it is the largest coal fired power facility in Ohio, and one of the largest in the nation. Its two units, rated at 1300 MWe each, were launched into service in 1974 and 1975.[1]

The plant is located at 38°56′09″N 82°07′00″W
, just 2.5 km (1.6 mi) upstream along the Ohio River from a smaller, older coal-fired Kyger Creek Power Plant.


References

  1. ^ "Existing Electric Generating Units in the United States, 2006" (Excel). Energy Information Administration, U.S. Department of Energy. 2006. Retrieved 2008-07-14

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5Mar/100

Thesis Proposal Abstract

Jeff Lovett Thesis Proposal Abstract

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2Mar/100

Preliminary Coal Ball Scan

Calhoun IL Coal Peel 02

The above is a test embedded image using www.seadragon.com

Click on the Image to zoom and drag to pan.

link to full resolution image: http://www.flickr.com/photos/13756686@N05/4400942531/sizes/o/

A scan of three acetate / acetone peels that the paleo-botany department does on coal balls. Coal balls are the not quite coal cast off when coal mining on the fringes of a seam. This is a preliminary test scan for a future body of work inspired by: Thom Atkinson’s photographs of rock samples from Ernest Shackleton’s Antarctic expedition of 1908.
http://www.thomatkinson.com/#/still-life

A scan of three acetate / acetone peels that the paleo-botany department does on coal balls. Coal balls are the not quite coal cast off when coal mining on the fringes of a seam. This is a preliminary test scan for a future body of work inspired by: Thom Atkinson’s photographs of rock samples from Ernest Shackleton’s Antarctic expedition of 1908.

http://www.thomatkinson.com/#/still-life

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27Jan/100

OU SoA Critical Regionalism Initiative Spaces Installation

The newly formed Ohio University School of Art Critical Regionalism Initiative focuses on this region and an examination of coal mining in Southeast Ohio. The group will premiere their project for this exhibition, bringing the ideas of site-specificity in contemporary art into fruitful contact with the work of both governmental agencies and nongovernmental activists on a range of regional issues.

The following images are from the installation at Spaces Gallery in Cleveland OH

In A most Dangerous Manner

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17Dec/091

MPSU – Acid Mine Drainage

On December 17th Matthew Friday, Dr. Bernhard Debatin, Jason Nein and I visited four separate sites of acid mine drainage (AMD). These scans are from this site visit.

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13Nov/091

Shawnee Main Street Expedition

The following images are an early iteration of exhibition of my time travelling body of work.

The video seen on the screen and / or in the head mounted display unit is the following:

Shawnee Main Street Expedition from Jeff Lovett on Vimeo.

The following video is objective documentation of the Shawnee Main Street Expedition:

Shawnee Main street Expedition Documentation from Jeff Lovett on Vimeo.

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4Nov/090

Ohio University Sculpture Ad

The following image is an ad that I created for the Ohio University Sculpture Department, submitted to Sculpture Magazine. It should be in the January 2010 Issue.

Ohio University Ad Jan 2010

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12Oct/090

San Toy Article

From the Athens News, December 9, 2002

SAN TOY: GHOST TOWN OR A BLACK DIAMOND IN THE ROUGH?

Monday, December 9, 2002
By Matt Zuefle

In 1996, on my last visit to San Toy, Ohio, I had to stop and ask directions twice. Driving down a long, unpaved road to the bottom of a deep, wooded valley, I came to a crossroads with a signless post marking the intersection. This was the San Toy of my seeking. My very own Appalachian city of Cibola. I had heard about it since I had starting working in the area, and now I had found it.Only a couple of houses down the road were occupied; these, along with a small church that was being refurbished, were the last viable traces of an incorporated community that once was home to hundreds of people. Out in the woods were the foundations of the old company store and a school, along with the brick skeleton of the jail. The remains of the old town were now scarcely visible; the new community of sycamores, sumacs, beeches and poison ivy were moving back. I hear it hasn't changed much.

San Toy, sometimes spelled Santoy, is only one of the many old mining communities that historian Ivan Tribe of the University of Rio Grande dubbed "The Little Cities of Black Diamonds," borrowing a term originally coined by a local newspaperman in the 19th century and used to describe the newly prosperous city of Nelsonville. The "black diamond" was of course coal, and coal helped more than 50 such small communities in Athens, Hocking, Perry, Morgan and surrounding counties to found and flourish in the period between the 1860s and the 1920s.

Some of their names are familiar, such as Murray City, Glouster and Chauncey. Others, such as Hemlock, Congo, Hatfield Town and Orbiston are not as well known. Among them, San Toy is almost completely forgotten. To those who remember, it was a boomtown, albeit a short-lived one. It started out as a traditional (read temporary) mining town and was known as a rough place, complete with wild shoot-outs and moonshining.

When it was sold from the New England Coal Company to the Sunday Creek Coal Company in 1915, the new owners of the mine and the town vowed to make it a "modern mining system and a model community," according to the recorded memories of resident W. G. "Shorty" Addington.

The aforementioned buildings were erected, along with a drug store, a hospital and a theater. In 1920 it was said to have 2,500 residents. By the end of the decade, the estimates ranged from 50 to 168. A changing economy, distant corporate decisions, and the consequences of the big strike of 1927 had conspired to erase San Toy from history.

Joe Fabiny, a local farmer and old-time miner whom I have had the pleasure of getting to know recently, was a young boy in nearby Moxahala when San Toy was still thriving. (Moxahala, or "Moxie" as many locals know it, is one of my favorite regional place names -- as it sounds exotic, like something out of the deepest South.)

Joe is 87. His voice is strong and tempered by years of hard work. His father John was born in Slovakia in 1877 and moved to the United States around the turn of the century. John lived with his family in Moxahala and worked as a miner; in the late1910s he worked in San Toy. Joe remembers how his dad would gather provisions and walk 10 miles to work at the San Toy mines. He carried his lunch and water down into the shafts and was paid for loading coal by the ton. Joe can't remember how much his dad earned, but he does remember that when he worked the mines at Congo in the 1930s he was paid 68 cents a ton. This usually worked out to about $3 a day, or more when enough cars and ponies were available to keep loading.

Joe, John and the other San Toy miners most often used carbide lamps, which utilized an archaic system of producing acetylene to fuel a live flame projecting from their helmets. Joe also remembers taking his dad to work at the at the Number 9 mine at Rendville and being surprised to find the area occupied by the Ohio National Guard during a labor dispute. He even remembers the hour-long drive down old Rt. 13 in a Model T to Millfield the day after the big mine disaster. It was Nov. 6, 1930 when he and his father came to support the families and friends of miners while the rescue was still on. Eighty-two died, and it was destined to become the worst mine accident in Ohio history.

THE HEYDAY OF THE OLD "Black Diamond" communities varied. For some towns, the best days were already over by the 1880s; for others it was much later. By 1930, one of the San Toy mine houses had burned and the few families left in town were given a chance to buy their houses for $50 to $75 apiece. This was the last picture show. For many years, old residents gathered at various places for San Toy reunions, but it appears that these have ended now, too.

We have a rich cultural and natural history in our area. The glory days of the mining towns were a big part of it. Places like San Toy and good neighbors like Joe Fabiny remain as a testament to the drama and human spirit that preceded us in the southeastern Ohio hill country.

With the help of concerned individuals and active groups, we can preserve our rich local history. And it is a history worth preserving. The old mining towns are even becoming a tourism draw of sorts, attracting a new breed of "heritage tourist." These new tourists are starting to take note of the old sites and several related annual festivals, including a "Black Diamond" auction that is emerging as an event of its own.

We shouldn't underestimate how interesting our own area is. If you don't believe it, turn off the History Channel, go out, and talk to one of the many people right next door who have lived history.

Editor's note: The author thanks Dr. Robert N. Richmond, D.V.M., editor of "San Toy Ghost Town: The Town That Ain't No More"; Betty White and the Morgan County Historical Society; Cheryl Blosser, Chad Seurkamp and John Winnenberg of The Little Cities of Black Diamonds Council; Dr. Ivan Tribe; and Mr. Joe Fabiny. Matt Zuefle lives in Athens. He can be contacted at crotaxa@hotmail.com.

News Watch

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9Oct/090

Multi chair Hi Res BW invert



Multi chair Hi Res BW invert

Originally uploaded by Jeff Lovett


This is an early study for a body of work consisting of many drawings of an artifact from many angles.

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8Oct/090

have a seat by yourself

have a seat by yourself: 2009

close the door

behind you

have a seat

by yourself

take your time

have a seat by your self is an installation consisting of four small video cameras, four projectors a chair and two modeling lights.

Each of the four cameras is positioned off the four corners of the chair and are focused on a single point above the chair. The projectors each receive the live video feed from one camera which are projected on one another creating a single image with four views.

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